We are a New Delhi based design studio creating occasion wear for men with an emphasis on craft, community, and intention. Our first edit, Divine Geometry, draws from ways of making shaped by precision, repetition, and devotion to handwork. Defined by garments that reveal their complexity gradually, each piece reworks a classic vocabulary for the present.
Objects
Textiles
Craft
At the heart of our practice is a question: can Indian craft sustain real economic value for its makers? Everything we do is a working answer to that question.
We see handwork as the sacred product of skill, time, and character refined over generations, and we remain optimistic about its capacity to drive development. Design serves as a mediator: treating beauty with deference, translating inherited techniques into forms that feel current, and building continuity that sustains demand.
Craft is our way of thinking. We bring it to menswear to extend its possibilities. For many men, the license to be interested in clothes is relatively new. As menswear shifts from utility toward self-expression, it becomes a language through which identity, aspiration, and restraint are negotiated. Occasionwear intensifies this further: what do we choose to wear when the moment matters, and what do those choices signal about us?
These questions exceed any single design studio. What we make are sincere attempts: clothes for men that feel intelligent and desirable, and that shift something real for the people who make them.
Divine Geometry draws from the Islamic decorative tradition, where geometry becomes a language of proportion, repetition, and control. In stone, tile, paper, and textile, it endures through the work of the hand.
The collection is shaped by extensive study across centuries and continents, spanning the Alhambra in Spain, Iznik pottery in Turkey, and Berber pattern-work in North Africa. These archives became our map. As we travelled, the inquiry widened into other disciplined grammars of repetition, including Japanese sashiko and Cambodian ikat.
These motifs were translated through a range of textiles, centred on Indian handloom weaves, and brought into modern silhouettes such as short kurtas and jackets. The palette stays earth-derived, each shade hand dyed to reveal a distinct house colour. Handwork gives the collection its line, its texture, and its depth. In many garments, the work exceeds 300 hours by hand, and the finish carries the record of that devotion.
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